KATHMANDU – To celebrate International Women’s Day 2026, the Women’s Empowerment Committee of the Film Development Board (FDB) is organizing a special three-day event titled “Women in Cinema” (Chalachitrama Nari).
Running from March 11 to March 13 (Falgun 28 to 30, 2082), the festival aims to highlight the journey, struggles, and triumphs of women within the Nepali Movie industry through exclusive screenings and discussions.
The Festival Lineup: Celebrating Icons and Stories
The committee has curated a selection of films that represent different eras of storytelling in The Film Nepal.
March 11 (Falgun 28): The festival kicks off with the screening of the classic ‘Kumari’. As Nepal’s first color film, it holds immense historical value and showcases early female representation on screen.
March 12 (Falgun 29): The second day features ‘Jiban Kanda Ki Phool’, a deeply moving biopic based on the life of renowned litterateur Jhamak Kumari Ghimire. The film explores her incredible journey of overcoming physical challenges through the power of literature.
March 13 (Falgun 30): The event will conclude with a formal closing ceremony, likely involving veteran female technicians and actresses who have shaped the industry.
How to Attend: Free Entry for Film Students and Workers
While the event includes invited guests, the FDB is opening its doors to the next generation of filmmakers.
Who can apply: Film professionals and students currently studying cinema.
The "First 50" Rule: Free entry will be provided to the first 50 applicants on a "First Come, First Served" basis.
Registration: Interested participants must send their details via WhatsApp to 9868668576 to reserve a spot.
A Platform for Empowerment
The Women’s Empowerment Committee, led by industry veterans, stated that this initiative is more than just a screening series. It is a space for dialogue about the changing roles of women in Nepali Film Industry, from being "screen ornaments" to becoming directors, producers, and technicians.
Actually, it’s quite fitting that they chose Jiban Kanda Ki Phool for the second day, especially since the industry is currently buzzing with talk about Usha Rajak’s mute role in Laalimaa and Swastima Khadka’s production ventures. It shows that the Nepali Movie industry is finally moving toward celebrating substance over just stardom. Or at least, it gives film students a rare chance to see how far female narratives have traveled since the days of Kumari.
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